Psychoanalysis After Freud

Freud Museum London

10th January 2019 | 6:30PM

Evening course exploring Jung, Klein, Winnicott and Lacan.

10 January – 28 March

Thursdays, 6.30-8.30pm

Tutor: Keith Barrett BA PhD

Psychoanalysis was initiated by Freud, then transformed by a series of powerful creative figures who both extended and deepened its range, opening new intellectual horizons as they applied its methods to new problems and new fields. We will focus on four leading innovators, carefully examining their criticisms of Freud and the manner in which they modified his theories and therapeutic practice. In this way, the course will give an overview of the development of psychoanalysis across its first century and into the beginning of its second. While intended to be accessible to beginners, it will also stimulate those who already have some knowledge of the field.

Click here for full program and bookings

Lacan, Deleuze and the Baroque

Freud Museum London

13th January 2019 | 10:00AM

Deleuze and Lacan paid considerable attention to the baroque.

Deleuze centres his 1988 book The Fold on this topic. Lacan dedicates to it some intense passages of a crucial lesson of his 1972-73 Seminar Encore. In this one-day intensive course we will compare and contrast their stances on what they deem to be an exceptional form of art and thought.

We will begin by showing how Lacan and Deleuze equally single out the baroque as an aesthetics that profoundly rethinks the notion of the subject as non-substantial. In Lacan’s words, the baroque evidences that the subject is not ‘a punctiform being that gets his bearings at the geometral point from which the perspective is grasped’. In turn, these considerations lead both authors to understand the baroque object as a ‘non essential object’ (Deleuze) that is strictly connected with a meaningless event, or atopia, and what they call anamorphosis.

Secondly, we will consider Deleuze’s and Lacan’s analogous assessments of the historical and epistemological context from which the baroque originates. For Deleuze, the latter witnesses to an incipient ‘collapse of the world’ as supposedly supported by Reason, and to a ‘transition’ exemplified paradigmatically by Leibniz’s theodicy. For Lacan, the baroque should be seen as a contradictory attempt to cope with the fact that, by the sixteenth century, ‘the world is in a state of decomposition’ due to the crisis of classical episteme and Christianity.

Thirdly, we will dwell on how both authors elaborate their own philosophical and psychoanalytical projects as explicitly neo-baroque endeavours to radicalise the baroque and overcome its impasses. We will here take into account Deleuze’s metaphysics of chaos, which turns Leibniz against himself, and Lacan’s notion of enjoyment as always lacking, which takes the message of Christianity about earthly abjection one step further and subverts it.

Finally, we will discuss how Deleuze’s and Lacan’s surprisingly similar treatment of the baroque and its legacy enables us to pinpoint the general ontological disagreement on which this specific convergence rests. While for Deleuze the process of folding highlighted by the baroque ultimately points in the direction of a pre-subjective cosmogenetic factor, or ‘Fold’, for Lacan it can only be related to the structure of the subject as linguistically split.


One day intensive course with Lorenzo Chiesa

£45 – £65

Pelvic Gazing at the Frauenklinik: Egon Schiele’s Clinical Modernism

Freud Museum London

23rd January 2019 | 7:00PM

A talk by Professor Gemma Blackshaw from her forthcoming monograph Clinical Modernism: Art, Medicine, and Experience in Vienna 1900.

In 1910, the prodigious young artist Egon Schiele (1890-1918) completed a series of life-studies of heavily pregnant women and new-born babies at the Second Women’s Clinic within the University of Vienna’s General Hospital. This was one of two public clinics and teaching institutions for gynaecology and obstetrics which had opened to international acclaim just two years previously.

Combining visual analysis with an investigation of the Clinic’s ‘progressive’ facilities, practices and pedagogies, the presentation will reflect upon the entanglement of the artistic and medical gaze in the modern period, and its occlusion in modernist art history.

How does a retrieval of the clinical context for Schiele’s work enable us to engage with the social and sexual politics of medical specialisation and modernist representation?

How do these politics problematise the historicising of this and other modern artists’ images of the naked female body as the pursuit of fundamental human truths?


Gemma Blackshaw, Professor of Art History at the University of Plymouth, has an international reputation for research on art in ‘Vienna 1900’. She curated the major exhibition Facing the Modern: The Portrait in Vienna 1900 for the National Gallery London in 2013. She co-curated Madness and Modernity: Mental Illness and the Visual Arts in Vienna 1900 at the Wellcome Collection, London, in 2009, which, as a result of its critical reception, was restaged in an expanded form at the Wien Museum, Vienna, in 2010. She has published widely on modernist Viennese portraiture and figuration, with a particular focus on its intersections with modern medicine’s visual, institutional and therapeutic regimes.

Surrealism & Psychoanalysis: Conquest of the Irrational?

Freud Museum London

27th January 2019 | 10:00AM

In 1938 Salvador Dalí met Freud in London, bringing with him his painting Metamorphosis of Narcissus and a new article about his ‘paranoiac-critical’ method, first described in his book Conquest of the Irrational.

Freud was an inspiration for the Surrealists and they were well-versed in his ideas, particularly his work on dream theory, free association, and investigations into the workings of the unconscious. In the 1924 Surrealist Manifesto, André Breton defined Surrealism as “pure psychic automatism”, in other words, the uncensored workings of the unconscious. In later years Jacques Lacan’s close relationship with the Surrealists led to a lasting bond that continued to link psychoanalysis and surrealism until the present day. Can the paranoiac-critical method be a valid means of understanding psychosis?

This conference will address psychoanalysis and its impact on Surrealism and the impact of Surrealism on psychoanalysis, bringing together art historians, psychoanalysts, authors and artists to reflect on the many facets of this relationship.

The conference will be held at The Anna Freud Centre, 12 Maresfield Gardens, London, NW3 5SU

£45 – £65



Holocaust Memorial Day Event

Langdon Down Museum

27th January 2019 | 2:00PM

Aktion T4: A documentary film

Sunday 27 January 2019 | Museum open 2pm – 4pm

Film showing at 2.30pm

The Aktion T4 Nazi Euthanasia programme was responsible for the murder of approximately 275,000 people with learning disabilities.

In this 30 minute documentary film, Berge Kanikanian who has Down’s syndrome, travels to Poland and Germany to visit the sites of euthanasia centres and speaks to researchers and historians.

Please note this film is not suitable for anyone under 16 years of age.

This event is free. Booking not required.